... at least that's what I tell myself, sitting here in leggings and an indiscriminate blue top-and-ladsy shirt-combination. It's not a good day for fashion. Nor is it a good day for anything, actually. Not even for spelling - the blog word-processor has to correct very nearly every second word I write. Plus the ones that remain undetected because the words exist, only do they not express what I want to articulate. Sea. You get it.
I am forcing myself through the remainder of what used to be my Contested Culture notes, but is now a pitiful pile of coffee-stained, grey matter in a plastic folder with the additional neon highlight to communicate to the passing fellow-student that I have read some of it, and had even had the mind frame to highlight. Indeed I have read some of it, most of it, with the exception of a rather dull text of myth-theories - I could't lower myself to do that - now the crucial point is that I don't remember anything. In fact, I don't remember reading most of it. The library drains all spatial and temporal rasters out of my brain and transforms it into a giant pudding, sitting comfortably and uselessly in my head, waiting to be poured onto paper on D day. Also, instead of teaching myself how to crochet over Christmas, I should have started early learning all that rubbish. It's my own fault, really. Or is it? Am I not the victim of the very subject I am supposed to know an awful lot about? Take this blog, for example: it is part of what has been christened the social media, and effectively impedes me from learning. Then the TV Christmas specials (gotta see all of those, right?), they too kept me from expanding my field of knowledge. Add a bit of random facebooking, a couple of cinema sessions, a talk with an ageing Ralph Fiennes (not me obviously, some fat bloke in an ill-fitting jumper) and tada, the cultural and creative industries destroy their most recent offspring before it even glimpsed at the world comprehendingly. Maybe I am just a victim of post-feminist self-determination incompetence? It could well be, given that I cannot rely on a husband with an iron fist to impose his will on me; I have to go and tame the shrew myself.
(the same day, bed time, the protagonist is sitting in bed, typing instead of reading dull slides about culture - computer battery full, human battery in reserve)
I need stage directions for my life. How else am I supposed to know how I feel, where I stand, whereto I belong and how the bloody hell this play is going to end?? Despite the fact that I am possibly the world's worst actress, I can just about manage to be an active agent in my own life and portray more or less convincingly real emotions to my fellow actors. Coincidentally, this metaphor relates to what Judith 'Jude' Butler writes about gender performativity. Ok, well, not quite, but the basic idea, the performative element of life remains the same. A very clever leadership book has taught me that performativity is not the playing of a part like Rowan Atkinson does Mr. Bean, but like Rowan Williams does his long-standing performance of the Archbishop of Canterbury, soon in a church nearby you. Gender works in a very similar way: although it depends on sex in the sense that a sex is already inscribed with a particular set of norms and normative elements, gender is more or less autonomous and a way of method acting 'man' or 'woman' to oneself and to others. So, where are my stage directions? At the moment, it's Samuel Beckett rather than Tennessee Williams, plotless incoherence. Maybe I should try and compensate by becoming an obedient consumer, without an opinion, without a choice.
(the same day, bed time, the protagonist is sitting in bed, typing instead of reading dull slides about culture - computer battery full, human battery in reserve)
I need stage directions for my life. How else am I supposed to know how I feel, where I stand, whereto I belong and how the bloody hell this play is going to end?? Despite the fact that I am possibly the world's worst actress, I can just about manage to be an active agent in my own life and portray more or less convincingly real emotions to my fellow actors. Coincidentally, this metaphor relates to what Judith 'Jude' Butler writes about gender performativity. Ok, well, not quite, but the basic idea, the performative element of life remains the same. A very clever leadership book has taught me that performativity is not the playing of a part like Rowan Atkinson does Mr. Bean, but like Rowan Williams does his long-standing performance of the Archbishop of Canterbury, soon in a church nearby you. Gender works in a very similar way: although it depends on sex in the sense that a sex is already inscribed with a particular set of norms and normative elements, gender is more or less autonomous and a way of method acting 'man' or 'woman' to oneself and to others. So, where are my stage directions? At the moment, it's Samuel Beckett rather than Tennessee Williams, plotless incoherence. Maybe I should try and compensate by becoming an obedient consumer, without an opinion, without a choice.

